Eighty-three best-loved works over 30 composers including Beethoven Chopin Brahms Mendelssohn Liszt and Paderewski. Edited by Ronald Herder.

This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.

The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.

- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /

Par BACH JOHANN-SEBASTIAN. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument./ Répertoire / Clarinette Basse Solo

A selection of best-loved legendary music by one of the giants of the Baroque era appears in this magnificent compilation of keyboard works by Johann Sebastian Bach. Rich in unending melodic invention rhythmic flow and harmonic ingenuity beyond its time these pieces will delight amateur and professional pianists alike. Selections include Chromatic Fantasia and Fugue Italian Concerto Toccata and Fugue in D Minor and Prelude and Fugue in C Minor. Additional shorter works include Little Preludes Inventions Minuets. This superb compilation unites a generous selection of music in one convenient attractive and modestly priced volume.

Édité par Nagy Olivér Instrument: Flute a bec (ou autre instrument mélodique) et piano Série: Recorder Music Genre: Baroque Pages: 72 pp Date du parution: 1986 Contenu : 1. Ismeretlen szerz?: Sonata in F major: Hornpipe 2. Schmierer, J. A.: Sarabande ? Gavotte 3. Telemann, Georg Philipp: Minuet 4. Fischer, J. C. F.: Bourrée 5. Fischer, J. C. F.: Minuet 6. Albinoni, Tomaso: Sonata in F major: Largo, Giga 7. Valentine, Robert: Sonata in D minor: Giga op. 2 no. 5 8. Loeillet, J. B. (John): Sonata in G major: Gavotta op. 1 no. 3 9. Loeillet, J. B. (John): Sonata in D minor: Largo, Giga, Gavotta op. 1 no. 2 10. Lavigne, Ph. de: Sonata in C major äLa Baussanö: Rondeau, Tambourin I, II op. 2 no. 1 11. Lavigne, Ph. de: Sonata in C major äLa Duboisö: Gaiment, Sarabande, Menuet I, II op. 2 no. 3 12. Marcello, Benedetto: Sonata in B flat major: Gavotte, Minuet op. 1 no. 6 13. Chédeville, Esprit Philippe: Sonatille galante in C major: Gavotte en Rondeau op. 6 no. 1 14. Pepusch, Johann Christoph: Sonata in D minor: Allemande, Sarabande 15. Hotteterre, Jacques-Martin: Suite in B flat minor: Allemande I op. 5 no. 1 16. Hotteterre, Jacques-Martin: Suite in D minor: Allemande II, Courante op. 5 no. 4 17. Bach, Johann Sebastian: French Suite in B minor: Minuet BWV 814 18. Händel, Georg Friedrich: Sonata in F major: Siciliana, Gigue op. 1 no. 11 19. Händel, Georg Friedrich: Sonata in D minor: Hornpipe op. 1 no. 9 20. Vivaldi, Antonio: Sonata in F major: Siciliana, Allemanda, Aria di Giga RV 52

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition French Suites BWV 812-817 qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 72. / Piano / Partition

Schirmer's Library of Musical Classics Vol. 2141-38 pieces from the English Suites French Suites Inventions Well-Tempered Clavier and more. Contents: English Suite No. 2 Sarabande · English Suite No. 3 Gavotte I and II · English Suite No. 4 Menuet I and II · English Suite No. 5 Sarabande · English Suite No. 6 Saraband and Double and Gavotte II · French Suite No. 2 Sarabande and Menuet · French Suite No. 4 Sarabande and Menuet · French Suite No. 5 Gavotte and Bourree · French Suite No. 6 Gavotte and Menuet · Goldberg Variations Aria · Lute Suite No. 1 Bouree · Overture in F Major BWV 820 Menuet · Overture in G minor BWV 822 Gavotte Menuet I and II · Partita No. 1 BWV 825 Menuet I and II · Partita No. 2 BWV 826 Sarabande MISCELLANEOUS PRELUDES: Prelude in G Major BWV 902a · Prelude in C Major BWV 924 · TWO-PART INVENTIONS: Invention No. 1 in C Major BWV 772 · Invention No. 2in C minor BWV 773 · Invention No. 4 in D minor BWV 775 · Invention No. 14 in B-flat Major BWV 785 THE WELL-TEMPERED CLAVIER BOOK I: Prelude No. 1 in C Major BWV 846 · Prelude No. 9 in E Major BWV 854 · Prelude No. 12 in F minor BWV 857 · Prelude No. 16 in G minor BWV 861 THE WELL-TEMPERED CLAVIER BOOK II: Prelude No. 1 in C Major BWV 870 · Prelude No. 7 in E-flat Major BWV 876 · Fugue No. 7 in E-flat Major BWV 876 · Fugue No. 9 in E Major BWV 878 · Prelude No. 12 in F minor BWV 881 · Prelude No. 16 in G minor BWV 885

An exciting collection of forty short classical masterpieces for Piano. Including work by J.S. Bach, Haydn, Schubert, Vivaldi, Handel, Beethoven and Mozart, this fabulous assortment of pieces offer ideal repertoire for concert performances or to learn and play from memory. Each of these classical pieces has been written or specially arranged for pianists working at Grade 2 to Grade 3 level. / Classique / Partition /

Beautiful choral arrangements of favourite classics, selected and edited by Ralph Allwood. Includes works from Schubert, Grieg, Delius, Puccini and Barber. / Voix